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biographies [documents] --- Rubens, Peter Paul --- Painters --- Rubens, Peter Paul, --- Rubens, Pieter Paul --- Rubens --- Rubens, P. P. --- Rubens, Pierre-Paul --- Rubens, Pieter-Pauwel --- Rubens, Pietro Paolo --- רובנס, פטר פאול, --- Criticism and interpretation. --- Rubens, --- Rubens, Pierre-Paul, --- Rubens, Pieter Paul, --- Rubens, Pieter-Pauwel, --- Rubens, Pietro Paolo, --- biography of Rubens --- kunstliteratuur --- biographies [literary works]
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Rubens, Peter Paul --- Rubens, Peter Paul, --- Rubens, Pieter Paul --- Rubens --- Rubens, P. P. --- Rubens, Pierre-Paul --- Rubens, Pieter-Pauwel --- Rubens, Pietro Paolo --- רובנס, פטר פאול, --- Criticism and interpretation. --- Exhibitions --- Rubens, --- Rubens, Pierre-Paul, --- Rubens, Pieter Paul, --- Rubens, Pieter-Pauwel, --- Rubens, Pietro Paolo,
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Rubens, Peter Paul, --- Albrecht --- Isabel Clara Eugenia, --- Isabelle, --- Isabel, --- Isabella Clara Eugenia, --- Albert --- Albertus --- Albrecht and Isabella --- Rubens, Peter Paul --- Rubens, Pieter Paul --- Rubens --- Rubens, P. P. --- Rubens, Pierre-Paul --- Rubens, Pieter-Pauwel --- Rubens, Pietro Paolo --- רובנס, פטר פאול, --- Art patronage. --- Flanders --- Court and courtiers. --- patronage --- court art --- Albert & Isabella [Archdukes] --- Brussels --- Rubens, --- Rubens, Pierre-Paul, --- Rubens, Pieter Paul, --- Rubens, Pieter-Pauwel, --- Rubens, Pietro Paolo,
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"A range of perspectives on the convergence of costume, art and history in the early modern Low Countries. The essays collected in this volume meet at a point of convergence between costume, art, and history, and focus on the seventeenth-century Southern Netherlands. 'Undressing Rubens' looks at the significance of costume in life and art in the age of Rubens, confirming that, as is increasingly recognised by scholars of many aspects of early modern European culture, this is hardly an insular topic. Cloth and clothing in seventeenth-century Flemish paintings lead the contributing scholars north of the border to the United Provinces, south to courts in Florence, Mantua, Madrid and elsewhere, and east to Cologne and, ultimately, to Japan. Stretching back several centuries to provide critical context and points of origin for many seventeenth-century practices and ideas, the innovative research presented here also points forward in time, dealing with implications in later centuries but also, in many cases, engaging directly with questions of historiography still quite relevant today."--Dust jacket.
Rubens, Peter Paul, --- Manufacturing technologies --- Painting --- History of civilization --- fashion [concept] --- costume [mode of fashion] --- Rubens, Peter Paul --- anno 1600-1699 --- Antwerp --- Painting, Flemish --- Flemish painting --- Influence&delete& --- Clothing --- Rubens, --- Rubens, P. P. --- Rubens, Pierre-Paul, --- Rubens, Pieter Paul, --- Rubens, Pieter-Pauwel, --- Rubens, Pietro Paolo, --- רובנס, פטר פאול, --- Influence --- Clothing. --- Fashion in art --- Clothing and dress in art. --- Fashion in art. --- Rubens, Pieter Paul --- Rubens --- Rubens, Pierre-Paul --- Rubens, Pieter-Pauwel --- Rubens, Pietro Paolo --- Clothing and dress --- mode --- schilderkunst --- 16de eeuw --- 17de eeuw --- Vlaanderen --- Italië --- Japan --- Spanje --- Engeland --- fashion [culture-related concept] --- kostuumgeschiedenis --- mode. --- schilderkunst. --- Rubens, Peter Paul. --- 16de eeuw. --- 17de eeuw. --- Vlaanderen. --- Italië. --- Japan. --- Spanje. --- Engeland.
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Painted altarpieces form an important and familiar part of Peter Paul Rubens?s substantial oeuvre. Much less widely known is the fact that Rubens?s involvement in such commissions sometimes went beyond the paintings themselves, and that he also designed sculptural framing and decorative surrounds for his patrons. There are several examples of designs by Rubens for sepulchral monuments too.00These altar surrounds and tombs belong to the category of ?architectural sculpture?, comprising the elements of the orders of architecture and their free application on the one hand, and monumental figurative or ornamental sculptural elements on the other. This was a visual language in which Rubens was especially well versed, and he drew on it not only in his paintings but also in his designs for tapestries, title-pages, book illustrations and ephemeral decorations.00Rubens?s designs for architectural sculpture were more than just a natural extension of his own artistic activities: they fulfilled a need in the design practice of the sculptors and architects of the period who executed the works. Hans van Mildert, for example, regularly turned to designs by his friend Rubens. Evidence is found in both Van Mildert?s own work and that of Rubens himself of a design and workshop practice with, at its core, a collection of models that represented the intellectual capital of each of the artists concerned.00The architectural sculpture that Rubens designed is also an expression and application of his personal views on art theory, which centred on the study of sculpture by painters and defined how they ought to render it in their own work. As elsewhere in his oeuvre, Rubens?s inspiration for the visual language he brought to bear in this area was frequently drawn from celebrated examples from antiquity and sixteenth-century Italy.
Rubens, Peter Paul --- Architecture --- Sculpture --- architectural ornament --- Rubens, Peter Paul, --- Architecture-sculpture --- Rubens, Petrus Paulus --- Rubens, --- Rubens, P. P. --- Rubens, Pierre-Paul, --- Rubens, Pieter Paul, --- Rubens, Pieter-Pauwel, --- Rubens, Pietro Paolo, --- רובנס, פטר פאול, --- Rubens, Peter Paul, - 1577-1640 - Catalogues raisonnés --- Architecture-sculpture. --- Rubens, Petrus Paulus, --- Rubens, Peter Paul, - 1577-1640
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An extraordinary history of Netherlandish drawing, focused on the training and skill of artists during the long 17th century. With a lively narrative thread and thematic chapters, this book offers an exceptional introduction to Dutch and Flemish drawing during the long 17th century. Victoria Sancho Lobis discusses the many roles of drawing in artistic training, its function in the production of works in other media, and its emergence as a medium in its own right. Beautifully illustrated with some 120 drawings by artists including Rembrandt van Rijn, Peter Paul Rubens, Hendrick Goltzius, Gerrit von Honthorst, and Jacob De Gheyn, this book surveys current methodologies of studying these works and features a brief history of Dutch papermaking and watermarks as well as a glossary. Paying careful attention to materials and techniques, and informed by recent conservation treatments, Lobis explains how to look at these drawings as records of experimentation and skill, true windows into the artist's mind.
Drawing --- drawings [visual works] --- drawing [image-making] --- anno 1600-1699 --- Netherlands --- Flanders --- Drawing, Dutch --- Drawing, Flemish --- Flemish drawing --- Rubens, Peter Paul, --- Rembrandt Harmenszoon van Rijn, --- Rāmbirānt, --- Rembrandt Garmens van Reĭn, --- Rembrandt van Rijn --- Rembrandt van Reĭn, --- Lun-po-lang, --- Rembrandt, --- Van Rijn, Rembrandt Harmenszoon, --- Rijn, Rembrandt Harmenszoon van, --- Rembrandt Harmensz van Rijn, --- Reimbrandt, --- Rembrandt van Rijn, --- רמברנדט --- רמברנדט הרמנסזון ואן־ריין, --- رامبرانت --- Rubens, Peter Paul --- Rubens, Pieter Paul --- Rubens --- Rubens, P. P. --- Rubens, Pierre-Paul --- Rubens, Pieter-Pauwel --- Rubens, Pietro Paolo --- רובנס, פטר פאול, --- Rembrandt --- Rembrandt Harmenszoon van Rijn --- Rembrandt Garmens van Reĭn --- Rembrandt van Reĭ --- Lun-po-lan --- Van Rijn, Rembrandt Harmenszoon --- Rijn, Rembrandt Harmenszoon van --- Rembrandt Harmensz van Rin, --- Reimbrand --- Rubens, --- Rubens, Pierre-Paul, --- Rubens, Pieter Paul, --- Rubens, Pieter-Pauwel, --- Rubens, Pietro Paolo, --- tekenkunst, Nederlanden
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Painting --- easel paintings [paintings by form] --- Dyck, van, Anthony --- Jordaens, Jacob --- Rubens, Peter Paul --- Teniers, David [Younger] --- Flanders --- Painting, Flemish --- Rubens, Peter Paul, --- Van Dyck, Anthony, --- van Dyck, Anthony --- Dyck, Anthony van, --- Van Dyck, Anthonie, --- Van Dyck, Antoon, --- Van-Deĭk, Antoni, --- Deĭk, Antoni van, --- Dyck, Antoine van, --- Van Dyck, Anton, --- Van Dyck, Antoine, --- Van Dyck, Antoine --- Van Dyck, Anton --- Van Dijck, Anthonie --- Van Dijck, Anton --- Van Dijck, Antonie --- Van Dijck, Antoon --- Vandyke, Anthony, --- Dyck, Anthonie van, --- Dyck, Antoon van, --- Dyck, Anton van, --- Van Dyck, Anthonis, --- Van Daĭk, Antonis, --- Daĭk, Antonis van, --- Ṿan Daiḳ, Anṭon, --- Vandeik, Antoine, --- Van Dyck, Antonio, --- Vandyck, Anthony, --- Rubens, Pieter Paul --- Rubens --- Rubens, P. P. --- Rubens, Pierre-Paul --- Rubens, Pieter-Pauwel --- Rubens, Pietro Paolo --- רובנס, פטר פאול, --- Exhibitions --- Caravaggisme --- barok --- tapijtkunst --- verzameling Leopold Willem (aartshertog van oostenrijk) --- Leopold Willem (aartshertog van Oostenrijk) --- Van Dyck, Anthony --- 16de eeuw --- 17de eeuw --- Europa --- Zuidelijke Nederlanden --- Dyck, Anthony van --- Van Dyck, Antoon --- Van-Deĭk, Antoni --- Deĭk, Antoni van --- Dyck, Antoine van --- Vandyke, Anthony --- Dyck, Anthonie van --- Dyck, Antoon van --- Dyck, Anton van --- Van Dyck, Anthonis --- Van Daĭk, Antonis --- Daĭk, Antonis van --- Ṿan Daiḳ, Anṭon --- Vandeik, Antoine --- Van Dyck, Antonio --- Vandyck, Anthony --- Rubens, --- Rubens, Pierre-Paul, --- Rubens, Pieter Paul, --- Rubens, Pieter-Pauwel, --- Rubens, Pietro Paolo, --- caravaggisme --- caravaggisme. --- barok. --- tapijtkunst. --- verzameling Leopold Willem (aartshertog van oostenrijk). --- Rubens, Peter Paul. --- van Dyck, Anthony. --- Leopold Willem (aartshertog van Oostenrijk). --- 16de eeuw. --- 17de eeuw. --- Zuidelijke Nederlanden. --- Europa. --- Vlaamse school
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